![]() The idea is being able to separate and connect each triad to every possible NCT that appears in that mode Because you are melodically outlining each triad in a melodic manner it gives you better control over all the modes of a scale and allows you to visualize how each note in the scale relates intervallically to every other note instantly. Then do this same thing for the other 6 triads of the same scale and all other positions. ![]() This is just one set of possible patterns, deliberately resolving to CTs) After doing that in all inversions in one position will give you a solid mental image if how the NCTs connect to the i triad in one fretboard position. So if you are playing in minor, start with the i chord in root position and add one of the NCTs to it: 1-2-3-5, then 1-3-4-5, then 1-3-6-5. Upvoted This thread is archived New comments cannot be posted and votes cannot be cast Sort by best.įirst learn the triads in all 3 inversions of the scale, then practice connecting the 2nd, 4th, 6th, and 7th to them, saying the intervals out loud at the same time. So my question is how can i solo melodically like mateus asato and do solo live without doing the same thing over and over again. ![]()
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